![]() ![]() The book persuasively argues that the advent and evolution Lettrism, and the more recent work of Max Jeanne, Maurice Roche, and There are chapters on Mallarme, Raymond Roussel, Cocteau, Epstein,īreton, and Cendrars, as well as post-World War II schools such as Almost every major modern French poet is discussed. It is this second meaning that Christophe Wall-Romana theorizes andĪpplies to an expansive study of twentieth-century French poetry in hisīook Cinepoetry. Term refers not to poetic films but to film-like poems-to poetry But a second sense ofĬinepoetry inverts the subject-predicate relation. Poetic or dream-like logic: the early films of Man Ray (whose 1926 Emakīakia, was subtitled "cinepoeme") the 1950s AmericanĪvant-garde and more recently, video-art. Often referred to a style of experimental filmmaking that followed a ![]() Retrieved from Ĭhristophe Wall-Romana, Cinepoetry: Imaginary Cinemas in French ![]() ![]() APA style: Christophe Wall-Romana, Cinepoetry: Imaginary Cinemas in French Poetry.Christophe Wall-Romana, Cinepoetry: Imaginary Cinemas in French Poetry." Retrieved from 2013 University of Pennsylvania Press 10 May. MLA style: "Christophe Wall-Romana, Cinepoetry: Imaginary Cinemas in French Poetry." The Free Library. ![]()
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